Filming the Gods: Religion and Indian Cinema (Religion and Media)


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Book Description Condition: New. Bookseller Inventory ST Seller Inventory ST More information about this seller Contact this seller. Book Description Routledge , Condition: New.

5 Bollywood Movies That Exposed The DARK SIDE Of Religion - PK, Oh My God, Water - LehrenTV

Brand new book, sourced directly from publisher. Dispatch time is working days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Language: English.

Rachel Dwyer

Brand new Book. Seller Inventory AAZ Not Signed; Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life.


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Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's. Book Description Routledge, Condition: NEW. For all enquiries, please contact Herb Tandree Philosophy Books directly - customer service is our primary goal. Seller Inventory BTE Explores Indian cinema's portrayal of religion and the gods, from early film-makers' first forays onto the silent screen to the technicolour spectacles of modern Bollywood.

This book draws on interviews with film stars, directors and producers, as well as popular fiction, fan magazines and of course the films themselves. Num Pages: pages, Illustrations. Liberal Democrats Tower Hamlets. Retrieved 25 December The Daily Star.

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Filming the Gods: Religion and Indian Cinema (Religion and Media)

Because of you. Thank you. Star Tribune. Retrieved 2 April DMG Media. Retrieved 12 December As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film. Visit Seller's Storefront.


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If your book order is heavy or oversized, we may contact you to let you know extra shipping is required. List this Seller's Books. Payment Methods accepted by seller. Brings together a group of international scholars to analyze the globalized networks of Indian cinema. I8 J Illuminates this intertwined history of British and Indian cinema in the late colonial period. Print and online.

I8 D96 Focus on the development of Bombay-based commercial cinema since , exploring the symbolic role of settings and costumes in staging the nation and the function of makeup and hairstyles in defining notions of beauty, sexuality, and consumption.

Filming the Gods: Religion and Indian Cinema (Religion and Media) Filming the Gods: Religion and Indian Cinema (Religion and Media)
Filming the Gods: Religion and Indian Cinema (Religion and Media) Filming the Gods: Religion and Indian Cinema (Religion and Media)
Filming the Gods: Religion and Indian Cinema (Religion and Media) Filming the Gods: Religion and Indian Cinema (Religion and Media)
Filming the Gods: Religion and Indian Cinema (Religion and Media) Filming the Gods: Religion and Indian Cinema (Religion and Media)
Filming the Gods: Religion and Indian Cinema (Religion and Media) Filming the Gods: Religion and Indian Cinema (Religion and Media)
Filming the Gods: Religion and Indian Cinema (Religion and Media) Filming the Gods: Religion and Indian Cinema (Religion and Media)
Filming the Gods: Religion and Indian Cinema (Religion and Media) Filming the Gods: Religion and Indian Cinema (Religion and Media)
Filming the Gods: Religion and Indian Cinema (Religion and Media) Filming the Gods: Religion and Indian Cinema (Religion and Media)

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